Founder, Artistic Director, Choreographer, Dancer. Since 2004. Leader, Shawngram Institute for Performance & Social Justice since 2018.
Ananya Chatterjea/ অনন্যা চট্টোপাধ্যায় ‘s work as choreographer, dancer, and thinker brings together Contemporary Dance, social justice choreography, and a commitment to healing justice. She is the creator of ADT’s signature movement vocabulary, Yorchhā, and the primary architect of the company’s justice- and community-oriented choreographic methodology, Shawngrām. She is a 2011 Guggenheim Choreography Fellow, a 2012 and 2021 McKnight Choreography Fellow, a 2016 Joyce Award recipient, a 2018 UBW Choreographic Center Fellow, a 2019 Dance/USA Artist Fellow, and recipient of the 2021 A. P. Andersen Award. Her work has toured internationally to the Bethlehem International Performing Arts Festival, Palestinian Territories (2018), Crossing Boundaries Festival, Ethiopia (2015), Harare International Dance Festival, Zimbabwe (2013), New Waves Institute of Dance and Performance, Trinidad (2012), Aavejak Avaaz Festival, India (2018), and Ocean Dance Festival, Bangladesh (2019). Domestic tour venues include the Kelly Strayhorn Theater (Pittsburgh), John Michael Kohler Arts Center (Sheboygan), Dance Place (Washington), Maui Arts & Cultural Center (Maui), and Painted Bride Theater (Philadelphia), among others. In response to the Twin Cities Uprising (2020), she created the Kutumkāri (Relationship-making) Healing Movement series with a particular invitation to BIPOC women and femme healers. Ananya is Professor of Dance at the University of Minnesota where she teaches courses in Dance Studies and contemporary practice. Her second book, Heat and Alterity in Contemporary Dance: South-South Choreographies, re-framing understandings of Contemporary Dance from the perspective of dance-makers from global south locations, was published by Palgrave McMillan in November 2020.
Photo by Laichee Yang